Exhibitions of 2016: a-n writers pick their top five shows

Five a-n News writers – based in London, Birmingham and Glasgow – pick, in no particular order, their top five exhibitions of the year.


15 December 2016


Anneka French selects:

Eva Rothschild: Alternative to Power, New Art Gallery Walsall


Eva Rothschild, Alternative to Power (installation shot), The New Art Gallery Walsall. Photo: Robert Glowacki

Eva Rothschild, Alternative to Power, (installation shot), The New Art Gallery Walsall, 24 September 2016 – 15 January 2017.
Photo: Robert Glowacki



Eva Rothschild’s display at New Art Gallery Walsall, whose high ceilings and polished black floors feel like they have been made for the artist’s works, was a beautifully balanced one. Featuring two newly commissioned pieces made during this summer’s EU referendum campaign, works such as RedSun, An Array, Ruins and Technical Support (all 2016) typically employed an economy of material, relying on balance and precision to achieve formal tension through texture, form, and vibrant colour paired with black. Generously punctuated with seating that acknowledged the viewer, this was an elegant, resonant and timely politicised exhibition.
24 September 2016 – 15 January 2017.



by Chris Wilkinson

Idris Khan creates monument for UAE Memorial Park

High tribute to UAE’s heroes
By The National staff

A 90-metre long sculpture made from 31 aluminium-clad steel tablets will grab the attention on Commemoration Day. The National was given an exclusive tour of the structure at the memorial park when it was being put together by British artist Idris Khan

“What are monuments?” asks the British artist Idris Khan, designer of the memorial that will act as the focus for Commemoration Day on November 30.
“The word monument gets into your head and you think about what it represents. They’re for people to visit, to be absorbed in and to feel power in a certain way.”


Khan, 38, has certainly invoked that sense in the 90-metre sculpture that now stands at the heart of the newly-named Wahat Al Karama, a 46,000 square metre site that sits between the Sheikh Zayed Grand Mosque and the headquarters of the UAE’s Armed Forces.


Made from 31 aluminium-clad tablets, the tallest of which is 23 metres, Khan’s sculpture overlooks a wide memorial plaza that doubles as a reflecting pool and leads to a smaller, circular structure, The Pavilion of Honour.


The Pavilion contains the names of each of the nation’s heroes who, from the time of the UAE’s unification in 1971, sacrificed their lives in the service of their country.
Each name is inscribed on its own panel, made from aluminium reclaimed from Armed Forces vehicles.
A graduate of London’s Royal College of Art, the sculptor came to wider public attention thanks to Seven Times (2010), an installation of steel cubes sandblasted with layered Arabic inscriptions, and You and Only You (2012), a mural formed from fragments of pilgrims’ responses to the experience of performing Haj.

Both works were displayed as part of the British Museum’s 2012 exhibition Haj: Journey to the Heart of Islam.

But the memorial is the largest work Khan has ever undertaken. It is made from hundreds of tonnes of steel, and its 31 tablets and central spine are covered in over 1,000 hand-painted, individually cast aluminium panels.


Some of the panels bear poetry from the UAE’s founder, the late Sheikh Zayed, while the monument’s spine is inscribed with the pledge of allegiance sworn by all members of the UAE’s Armed Forces.


“I wanted to create an entrance into the piece so that as you enter, you get a real sense of scale. You walk into the piece and there’s an immediate difference in temperature,” the artist says.
“You have these tremendous rays of light coming through the different tablets and the poems help to draw you round, providing different moments to pause and reflect.”



by Chris Wilkinson