Amalia Pica
Private & Confidential

Amalia Pica, Joy in Paperwork: The Archive, installation view, 2016.
Copyright Gwangju Biennale Foundation. Photography by Doyun Kim. Courtesy of the artist and Herald St, London.

For this major exhibition, British/Argentinean artist Amalia Pica explores the material culture of bureaucracy. Pica repurposes materials and motifs such as shredded paper, rubber stamps, office furniture and stationery to produce works that parody and subvert the bureaucratic systems.


 

The artist’s personal experience of obtaining British citizenship and the wider context surrounding the UK’s exit from the European Union provide a unifying conceptual framework for the exhibition.

 

Amalia Pica is known for her installations and sculptural works which explore forms of communication and realms of civic participation. The exhibition will comprise new works as well as the epic installation Joy in Paperwork: The Archive, (2016), presented originally at the 11th Gwangju Bienniale.  This will be the first time it can be seen in its entirety in the UK.

 

Supported by the Henry Moore Foundation.

 

Performance

Thursday 7 November, 6.15pm

Contemporary dance students from Walsall College will develop a performance in collaboration with the artist.

 

Book your free place by calling the Gallery on 01922 654400.

 

In Conversation

Saturday 1 February, 2pm

Join artist Amalia Pica with curator Zoë Lippett for a talk about the exhibition.

 

Book you free place by calling the Gallery on 01922 654400.

 

 

 

 

 

Amalia Pica interview with subtitles

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

(right hand side)

Gallery image credits:  Amalia Pica, Private & Confidential, 2019, installation view, The New Art Gallery Walsall.

Photo:  David Rowan.